Sans Other Give 7 is a very bold, very wide, low contrast, upright, tall x-height font.
Keywords: posters, headlines, sports, gaming, packaging, industrial, techno, military, mechanical, futuristic, impact, branding, signage, futurism, utility, stencil, octagonal, condensed counters, modular, hard-edged.
A heavy, geometric sans built from blocky forms with clipped, chamfered corners and a distinctly modular construction. Many glyphs incorporate stencil-like breaks and vertical segmentation, creating narrow internal apertures and a strong rhythm of dark mass interrupted by small cutouts. Curves are minimized in favor of squared bowls and faceted diagonals, giving letters a constructed, machine-cut feel. Spacing and proportions read display-oriented, with compact counters and emphatic terminals that stay consistent across caps, lowercase, and numerals.
Best suited for display work such as posters, headline typography, esports and gaming identities, album or event graphics, and packaging where an industrial or tactical tone is desired. It can also work for short UI labels or title cards when set large enough for the internal breaks to remain clear.
The overall tone is assertive and utilitarian, evoking industrial labeling, tactical hardware, and sci‑fi interface typography. The stencil interruptions add a coded, engineered vibe—more about impact and attitude than neutrality. It feels bold, regimented, and slightly aggressive, suited to graphic statements and high-contrast branding.
The design appears intended to deliver maximum visual impact through dense, block-like letterforms, using chamfered geometry and stencil-style cuts to create a distinctive, engineered signature. The goal reads as a contemporary, industrial display sans that stands apart from conventional grotesks by emphasizing modular construction and segmented details.
The stencil breaks are not purely functional (as in paint stencils) but serve as a signature motif, appearing as vertical splits and occasional diagonal slashes in select letters. At smaller sizes the tight counters and interior cuts may visually merge, while at large sizes the faceted geometry and segmentation become the main character.