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Free for Commercial Use

Sans Normal Nirog 2 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'AG Book W1G' and 'Akzidenz-Grotesk Next' by Berthold, 'Latino Gothic' by Latinotype, 'Molde' by Letritas, 'PG Gothique' by Paulo Goode, 'NeoGram' by The Northern Block, and 'Kommon Grotesk' by TypeK (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, playful, punchy, impact, approachability, clarity, modernity, simplicity, geometric, rounded, blocky, soft corners, compact counters.


Free for commercial use
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A heavy, geometric sans with broad proportions and smooth, rounded curves. Strokes stay consistently thick, with little to no modulation, creating strong color and stable rhythm across lines. Round letters are built from near-circular bowls with compact counters, while joins and terminals feel clean and trimmed rather than tapered. The lowercase has a sturdy, workmanlike build with a single-storey a and g, a short-armed r, and generally wide, open shapes that hold up at display sizes. Numerals are similarly robust, with simplified, even forms designed for impact.

This font is best suited to high-impact display typography such as headlines, posters, brand marks, packaging, and large-format signage where its thick strokes and broad shapes can project confidently. It can also work for short UI labels or callouts when you want a strong, friendly emphasis, but it is less geared toward long-form reading at small sizes.

The overall tone is bold and approachable: confident without feeling aggressive. Its rounded geometry and dense strokes give it a friendly, contemporary voice that reads as energetic and slightly playful in headlines.

The design appears intended to deliver maximum presence with minimal fuss: a geometric, rounded sans built for attention-grabbing titles and brand-forward messaging. Its simplified forms and consistent weight suggest a focus on legibility-through-silhouette and a contemporary, accessible personality.

Spacing appears generous enough to keep the dense letterforms from clogging, and the design maintains a consistent visual weight across mixed-case settings. The glyphs emphasize clarity through simple construction and strong silhouettes rather than intricate detailing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸