Sans Superellipse Okgup 5 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Panton' by Fontfabric, 'B52' by Komet & Flicker, 'Boxed' and 'Boxed Round' by Tipo Pèpel, and 'Quarca' by insigne (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, modern, sporty, punchy, utilitarian, clarity, approachability, modernity, impact, consistency, rounded corners, soft terminals, squared curves, compact bowls, wide apertures.
A heavy, monoline sans with a rounded-rectangle (superellipse) skeleton and consistently softened corners. Curves resolve into squared-off arcs rather than perfect circles, giving letters a sturdy, engineered feel. Counters are compact but clear, with fairly open apertures in shapes like C, S, and e; joins are smooth and the stroke endings are blunt and rounded. Proportions are pragmatic and slightly condensed in places, with a tight, even rhythm and strong color on the page; figures are similarly blocky and rounded, matching the letterforms closely.
Best suited to display-forward typography where a solid, rounded voice is needed—headlines, posters, packaging, logos, and wayfinding or product labels. The sturdy shapes and generous rounding also translate well to UI callouts, badges, and captions at medium sizes where clarity and a friendly tone are both priorities.
The overall tone is contemporary and approachable, balancing industrial solidity with friendly rounding. It reads as confident and energetic, with a subtly “tech” or “equipment label” attitude rather than a delicate or classic voice.
The design appears intended to provide a robust, modern sans that stays legible and consistent while projecting a softened, approachable geometry. Its superellipse-based construction suggests an aim for a contemporary, system-friendly look that feels engineered yet welcoming.
Uppercase forms emphasize simple, geometric construction (notably the rounded-rect O/Q and the squared shoulders on letters like n and m), while lowercase keeps a straightforward, functional structure with single-storey a and g. The design maintains strong consistency across letters and numerals, making it feel cohesive in dense settings as well as in short, impactful lines.