Slab Square Taneh 4 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Emy Slab' by Latinotype, 'Sharp Slab' by Monotype, 'Paralex' by Tipo Pèpel, and 'Coltan Gea' by deFharo (names referenced only for comparison).
Keywords: headlines, posters, sportswear, packaging, logos, athletic, retro, industrial, assertive, playful, impact, motion, display clarity, signage, blocky, compact, bracketed, ink-trap, rounded.
This typeface features heavy, sturdy letterforms with slab serifs and a consistent, low-contrast stroke build. The italic slant is pronounced, giving the shapes forward motion while keeping a broad, stable stance. Serifs read as thick, block-like feet with subtly softened corners; joins and counters are generally rounded, which keeps the weight from feeling overly rigid. Curved letters (like C, O, S) are wide and full, and the overall texture is dense and poster-ready with clear, simplified internal spaces.
It works best for bold headlines, short bursts of copy, and branding where speed and strength are desirable—sports identities, collegiate or team graphics, product packaging, and punchy promotional layouts. The heavy slabs and wide shapes support high-contrast applications like signage and large-format print, while the italic stance adds emphasis for titles and callouts.
The tone is bold and energetic, with a sporty, vintage-flavored confidence. Its forward slant and chunky slabs suggest movement and impact, while the rounded finishing details add an approachable, slightly playful edge. The result feels suited to attention-grabbing display settings rather than quiet, neutral text.
The design appears intended to deliver maximum impact with a dynamic italic posture, pairing slab-serif sturdiness with rounded, friendly shaping. It prioritizes strong silhouette and legibility at display sizes, aiming for a retro-sport and industrial sign aesthetic that remains approachable.
Capitals and numerals appear particularly strong and headline-oriented, with generous width and thick horizontals that read well at a distance. The italics feel structural (built into the design) rather than a simple oblique, maintaining consistent weight and rhythm across the alphabet. The overall impression is of a robust, sign-like italic slab with a compact, high-ink silhouette.