Sans Other Remuz 1 is a bold, narrow, medium contrast, upright, tall x-height font.
Keywords: posters, headlines, branding, signage, packaging, industrial, techno, retro, stark, authoritative, display impact, space saving, technical tone, geometric styling, geometric, angular, condensed, squared, chiseled.
A tall, tightly set sans with a squared, geometric skeleton and strongly rectilinear construction. Strokes are consistently heavy with crisp right angles and selective diagonal chamfers that clip terminals and corners, giving many forms a cut or notched look. Curves are minimized—round letters resolve into flat-sided, octagonal bowls—while counters stay relatively small and rectangular. The lowercase follows the same rigid logic with compact, mostly one-story shapes and short, squared apertures; punctuation is similarly boxy and simplified. Numerals are straight-sided and mechanical, maintaining the same vertical emphasis and angular corner treatments across the set.
Best suited to headlines, posters, and titles where its angular geometry can read as a deliberate stylistic choice. It works well for tech or industrial branding, product marks, packaging, and wayfinding/signage that benefits from compact width and strong presence. For long passages or small UI text, the tight counters and rigid shapes may feel heavy and less comfortable to read.
The overall tone is utilitarian and engineered, with a retro-futurist, display-forward voice. Its sharp corners and clipped terminals suggest machinery, signage, and technical labeling rather than softness or warmth. The rhythm feels disciplined and assertive, leaning toward a sci‑fi/arcade era aesthetic.
The design appears intended as a compact, high-impact display sans that fuses geometric construction with chamfered, faceted details. Its purpose seems to be delivering an engineered, futuristic/industrial flavor while staying consistent and modular across uppercase, lowercase, and numerals.
Diagonal cuts appear as a recurring motif at joins and terminals (notably in letters like M, N, V, W, X, and several lowercase forms), creating distinctive interior angles and a slightly "stenciled" impression without true breaks. The condensed proportions and dense black shapes increase impact but can reduce clarity at smaller sizes, especially where counters tighten.