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Sans Faceted Nyvi 3 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Dharma Gothic' and 'Dharma Gothic Rounded' by Dharma Type, 'Tungsten' by Hoefler & Co., 'Athletic Condensed' and 'Athletic Pro' by Mandarin, 'Initiate' by Stiggy & Sands, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, industrial, athletic, authoritative, retro, rugged, space saving, high impact, industrial feel, display clarity, condensed, octagonal, chamfered, blocky.


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This typeface uses tall, condensed proportions with heavy, uniform strokes and crisp, chamfered corners that turn curves into planar facets. Counters are compact and mostly rectangular or octagonal, and terminals end in angled cuts rather than rounded finishes. The overall rhythm is tight and vertical, with simplified joins and consistent geometry that keeps letters sturdy and hard-edged. Numerals follow the same faceted construction, reading like cut metal or stenciled blocks without visible stroke modulation.

Best suited for short, high-impact text such as headlines, posters, brand marks, and promotional graphics where the condensed width helps fit more characters per line. It also fits signage, labels, and packaging that benefit from an industrial, hard-edged look, and it can work for numbers-forward applications like jerseys, scoreboards, or product codes when set with adequate spacing.

The tone is forceful and utilitarian, with a confident, no-nonsense presence. Its sharp facets and compressed stance evoke industrial labeling, competitive sports graphics, and bold retro display work where clarity and impact matter more than softness or nuance.

The design appears intended to deliver maximum presence in a compact footprint by combining condensed proportions with faceted, corner-cut construction. It prioritizes strong silhouettes and consistent, machine-like geometry to create a distinctive display voice that stays legible and bold in demanding layouts.

Uppercase and lowercase share a closely related, compact construction, helping mixed-case settings maintain a uniform, blocky texture. The angular detailing adds character at larger sizes, while the dense interior spaces suggest avoiding very small sizes or overly tight tracking in long passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸