Sans Superellipse Onmoh 7 is a regular weight, wide, monoline, upright, normal x-height font.
Keywords: ui, signage, branding, headlines, tech packaging, tech, futuristic, clean, modern, clinical, digital voice, system design, geometric clarity, modern branding, interface legibility, squared-round, geometric, modular, rounded corners, open counters.
A geometric sans built from straight strokes and rounded-rectangle curves, with consistently softened corners and largely uniform stroke thickness. Round letters like O, Q, and 0 resolve as squared, superelliptic forms, while C, G, and S use broad, flattened arcs that keep the silhouette boxy and controlled. Proportions feel horizontally generous, with wide caps and a steady rhythm in text; terminals are mostly blunt, and joins stay crisp without calligraphic modulation. Numerals follow the same rounded-rect logic, producing compact, technical-looking figures that match the caps closely in color and weight.
Well suited to UI and product interfaces, wayfinding and signage, and contemporary branding systems where clarity and a technical voice are desirable. It also works effectively for short-to-medium headlines and packaging in technology, gaming, and electronics contexts, where its squared-round geometry can carry a distinctive visual identity.
The overall tone is contemporary and tech-forward, with a measured, engineered feel. Its rounded geometry softens the rigidity just enough to read as friendly-modern rather than aggressive, while the squared curves keep it firmly in a digital, interface-oriented aesthetic.
The design appears intended to translate rounded-rectangle geometry into a practical, readable sans with a distinctly digital, engineered flavor. By keeping strokes even and corners consistently softened, it aims for a stable typographic color and a modern, system-like presence across caps, lowercase, and numerals.
Diagonal forms (A, V, W, X, Y, Z) stay sharp and linear, contrasting with the rounded-rectangle bowls and reinforcing the font’s constructed, modular character. The lowercase shows simple, single-storey shapes and minimal ornament, helping maintain a consistent, schematic texture in longer lines.