Sans Superellipse Adrus 3 is a regular weight, wide, low contrast, reverse italic, tall x-height font.
Keywords: ui labels, tech branding, signage, packaging, posters, futuristic, technical, sporty, sleek, utilitarian, modernization, tech tone, streamlined ui, geometric clarity, brand distinctiveness, rounded corners, squared bowls, angled terminals, geometric, compact apertures.
A geometric sans with a consistent superelliptical construction: round forms read as rounded rectangles, and curves transition into straight segments with softened corners. Strokes are monolinear and clean, with subtly angled, forward-leaning terminals that create a brisk rhythm. Counters tend to be squarish and compact, and many letters show deliberately engineered joins (notably in diagonals and crotches) that keep silhouettes crisp. Numerals follow the same rounded-rect logic, with open, rectangular counters and sturdy horizontal cuts.
This font suits interface labels, product branding, and tech-forward identities where clarity and a contemporary feel are needed. Its geometric, rounded-rect forms also work well for signage and packaging, and it can scale up effectively for headings and posters where the distinctive construction becomes a visual feature.
The overall tone feels modern and engineered, combining friendliness from the rounded corners with a purposeful, high-tech edge from the squared bowls and angled cuts. It suggests speed and functionality—more dashboard and device UI than editorial voice.
The design appears intended to merge geometric rigor with approachable rounding, delivering a contemporary sans that reads as efficient and modern while retaining a softened, friendly perimeter. The angled terminals and squared counters reinforce a controlled, engineered character aimed at digital and industrial contexts.
Uppercase forms are bold in silhouette and strongly geometric, while lowercase maintains the same construction with simplified, near-monoline shapes. The design’s distinctive identity comes from its soft-rect curves and the repeated use of angled stroke endings, which give lines of text a slightly kinetic, forward-driven texture.