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Free for Commercial Use

Distressed Keju 7 is a very bold, wide, high contrast, upright, normal x-height font visually similar to 'Berthold Standard' by Berthold, 'Swiss 721' by Bitstream, 'Helvetica' by Linotype, 'Helvetica Now' by Monotype, 'Europa Grotesk SB' and 'Europa Grotesk SH' by Scangraphic Digital Type Collection, and 'Nimbus Sans L' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, album covers, headlines, packaging, merchandise, grunge, rugged, handmade, vintage, rowdy, texture-first, retro print, diy feel, impact display, gritty tone, rough-cut, inked, blotchy, chunky, stenciled.


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A heavy, compact display face with blocky, mostly monoline letterforms and irregular, distressed contours. Strokes terminate in torn, chipped edges with occasional ink-bleed speckling, creating a rough-printed texture across both counters and outer silhouettes. Curves are broadly rounded and slightly lumpy, while verticals stay generally straight, giving the design a sturdy, poster-like structure despite the intentional wear. Spacing feels generous and stable in text, with uneven edge texture providing most of the rhythm variation rather than slant or contrast-driven modulation.

Best suited for bold headlines and short statements on posters, event promo, album/playlist artwork, and packaging where a rough, tactile personality is desired. It also works well for merch graphics and labels that benefit from a worn, analog print feel, especially when set large with comfortable tracking.

The overall tone is gritty and energetic, evoking worn signage, DIY gig flyers, and rough screen-printed graphics. Its distressed surface reads as tactile and imperfect, suggesting age, friction, and attitude rather than polish or refinement.

The design appears intended to deliver a strong, straightforward display silhouette while layering in a convincing distressed print texture. It aims to feel handmade and weathered—like ink stamped or screen-printed on imperfect stock—without losing the basic, blocky forms needed for quick recognition.

The distress is consistent across uppercase, lowercase, and numerals, helping the set feel cohesive in longer lines. At larger sizes the texture becomes a key feature; at smaller sizes the chipped edges and filled-in speckling can visually thicken joins and reduce interior clarity, so contrast in color and ample size help preserve readability.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸