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Distressed Lofu 4 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'BR Segma' by Brink, 'Oktah Round' by Groteskly Yours, 'Morph' and 'Mundial Narrow' by TipoType, and 'Milk & Clay' by loryn ipsum (names referenced only for comparison).

Keywords: posters, headlines, album art, flyers, game titles, gritty, raw, rebellious, menacing, underground, aged print, rough impact, handmade texture, loud display, analog grit, grungy, rough-edged, inked, blotchy, chipped.


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Heavy, blocky letterforms are built from simple geometric skeletons but rendered with aggressively irregular, chipped edges and bumpy contours. Strokes appear dense and inky with uneven boundaries, producing a strong silhouette and a noisy texture at both headline and text sizes. Counters are generally compact and slightly misshapen, and the overall rhythm is intentionally inconsistent, reinforcing a rugged, analog look rather than precise typographic refinement.

Best suited to display settings where texture and attitude are desirable: posters, album artwork, event flyers, game titles, and packaging or labels that need a rugged, handmade feel. It can also work for short pull quotes or headers in editorial layouts when a deliberately rough, gritty voice is needed. For longer passages, it will read more as a stylistic effect than as a comfortable body face, especially at small sizes.

This typeface feels gritty and confrontational, with an expressive, handmade roughness that reads as rebellious and a little ominous. The texture suggests worn printing or stenciled paint, giving it a raw, underground energy that suits edgy and dramatic messaging.

The design appears intended to deliver maximum impact while adding instant texture, as if the letters were printed with worn type, distressed rubber stamps, or rough paint. Its irregular outline and uneven internal shapes prioritize character and atmosphere over neutrality, helping layouts feel tactile and imperfect by design.

The numerals and capitals carry particularly strong, chunky silhouettes, while the lowercase maintains a compact, sturdy presence with minimal delicacy. The distressed edge treatment is consistent across glyphs, creating a cohesive texture when set in lines of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸