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Free for Commercial Use

Distressed Vufi 5 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Area' by Blaze Type, 'CF Blast Gothic' by Fonts.GR, and 'Polin Sans' by Machalski (names referenced only for comparison).

Keywords: posters, headlines, packaging, merch, album covers, gritty, vintage, handmade, rowdy, industrial, add texture, evoke printwear, create impact, signal grit, roughened, blotchy, inked, weathered, chunky.


Free for commercial use
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A compact, heavy display face with short extenders, a tight overall set, and mostly straight, blocky constructions. Stroke endings and outer contours are aggressively roughened, with irregular notches and ink-like bite marks that create a worn print texture. Counters stay open but can appear slightly pinched or uneven due to the distressed edges, and curves read as flattened or subtly angular. Overall rhythm is punchy and poster-like, with small variations in width and edge breakup contributing to a natural, imperfect silhouette.

Best suited to short, high-impact settings such as posters, event flyers, product labels, apparel graphics, and album or podcast cover typography. It can also work for bold section headers or pull quotes where a raw, printed texture is desirable, but is less appropriate for long-form reading or small UI text.

The texture and weight give it a rugged, no-nonsense tone—like stamped packaging, screen-printed merch, or aged signage. It feels loud, tactile, and a bit rebellious, leaning toward retro-industrial and DIY aesthetics rather than clean modernity.

Designed to deliver maximum impact with a worn, inked surface—evoking rough printing methods and hard-used materials while keeping letterforms simple and highly legible at display sizes. The intent appears to be expressive texture and attitude without sacrificing straightforward, blocky readability.

The distressed treatment is consistent across caps, lowercase, and numerals, so the texture reads as a deliberate surface effect rather than random noise. At smaller sizes the roughening can visually thicken joins and tighten counters, while at larger sizes the torn edges become a key stylistic feature.

120px
108px
96px
84px
72px
64px
56px
48px
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Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸