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Free for Commercial Use

Inline Ukni 8 is a very bold, normal width, very high contrast, upright, normal x-height font.

Keywords: posters, headlines, signage, logotypes, packaging, vintage, circus, western, sporty, showcard, attention grabbing, retro signage, engraved look, decorative display, slab serif, inline detail, outline edge, chamfered corners, compact counters.


Free for commercial use
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A heavy, display-oriented slab serif with squared proportions, tight counters, and pronounced vertical stress. Strokes are rendered as solid black forms with a consistent internal inline cut that tracks through stems and bowls, plus a clear outer edge that reads like a bordered silhouette. Terminals and corners are mostly squared with occasional chamfering, giving the letterforms a carved, sign-painted feel. Spacing is relatively compact and the weight concentrates in the main verticals, creating a strong, poster-ready rhythm across both uppercase and lowercase.

Best suited to short, high-impact settings such as posters, event branding, storefront-style signage, labels, and headline typography. The inline cut and strong slabs make it effective for titles and logotype work where a vintage or showcard tone is desired. It is less appropriate for long passages or small UI text where the interior detailing may crowd and reduce clarity.

The font projects a theatrical, old-time show aesthetic—part carnival poster, part western signage, with a confident, punchy presence. The inline incision adds a decorative sparkle that feels nostalgic and attention-seeking rather than minimal or modern. Overall it reads as bold, assertive, and fun, with a distinct retro display flavor.

The design appears intended to emulate classic display lettering used in traditional advertising and signage, combining sturdy slab-serif construction with an engraved inline accent for added visual interest. The goal is to deliver maximum attention and a recognizable retro character while keeping shapes consistent enough for bold, cohesive wordmarks.

Uppercase forms are blocky and uniform, while lowercase keeps the same sturdy construction and inline treatment, maintaining cohesion in mixed-case settings. Numerals are similarly chunky and graphic, holding up well as standalone figures. The inline detailing is fine enough to add character but prominent enough to remain visible at typical headline sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸