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Free for Commercial Use

Inline Upra 3 is a very bold, narrow, very high contrast, upright, tall x-height font.

Keywords: headlines, posters, signage, packaging, logos, circus, western, poster, retro, assertive, attention grab, vintage signage, engraved effect, compact headlines, inline, hollowed, outlined, compressed, blocky.


Free for commercial use
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A compact, heavy display face built from tall, compressed letterforms with a strong vertical emphasis. Strokes are solid and geometric but softened by rounded corners and occasional cupped terminals, while a consistent inline cut creates a hollowed channel that reads like an engraved stripe. Counters are tight and the overall spacing feels efficient, producing dense word shapes; diagonals (notably in K, V, W, X, Y) are sharply cut and add punch. The lining figures follow the same carved-inline treatment, with bold silhouettes and small interior openings that keep the numerals legible at display sizes.

Best suited to high-impact display applications such as posters, event titles, storefront-style signage, packaging callouts, and logo wordmarks. It performs especially well when set large or with ample tracking, where the inline carving remains crisp and the dense rhythm reads as intentional.

The engraved inline and chunky silhouettes evoke classic show poster typography—part circus/vaudeville, part Western sign lettering. It feels loud, attention-seeking, and slightly nostalgic, with a crafted “cut from wood/metal” impression rather than a modern corporate tone.

The design appears intended to deliver maximum visual punch in a compact width, using an engraved inline to add dimensionality and a handcrafted, vintage sign-painting flavor. The consistent carving detail suggests a focus on decorative impact while keeping letterforms sturdy and readable in bold headline settings.

The inline cut is consistently centered and uniform in thickness, giving a strong two-tone potential when layered or used with color. The compressed proportions and heavy massing favor short phrases and headlines, where the internal carving can be appreciated without filling in.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸