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Free for Commercial Use

Sans Other Admiw 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Copperplate New' by Caron twice, 'Mister London' and 'Point Panther' by Sarid Ezra, 'Luckiest Guy Pro' and 'Luckiest Softie Pro' by Stiggy & Sands, and 'Hartwell' by W Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, packaging, children’s media, stickers, playful, chunky, friendly, quirky, retro, attention grabbing, friendly tone, whimsical display, informal branding, rounded, soft corners, bouncy, cartoonish, impactful.


Free for commercial use
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This typeface uses heavy, compact strokes with low-contrast, sans-serif letterforms and broadly rounded corners. The construction is deliberately irregular: curves and verticals appear slightly tilted or swollen, and stroke terminals often feel subtly sheared, creating a lively, hand-cut rhythm rather than strict geometric precision. Counters are generally small and simplified, with round forms (like O, o, 8, 9) reading as sturdy, dark shapes. Spacing and widths vary noticeably across glyphs, contributing to a dynamic, slightly wobbly texture in lines of text.

This font is best suited to headlines and short display copy where its chunky silhouettes and playful unevenness can be appreciated. It works well for posters, packaging, labels, and branding that aims for friendliness and humor, and it can add character to children’s media or informal promotional graphics.

The overall tone is upbeat and humorous, with a bold, cartoon-forward presence. Its gentle irregularity and soft-edged massing suggest a casual, approachable personality that feels at home in retro-leaning or kid-friendly contexts.

The design appears intended to deliver maximum visual impact with a friendly, whimsical voice. By combining very heavy strokes with softened corners and purposeful irregularities, it prioritizes personality and expressive rhythm over strict typographic neutrality.

The font’s weight and simplified interior shapes make it highly attention-grabbing at display sizes, while the intentionally uneven geometry gives words a hand-made, cut-paper feel. Numerals match the heavy, rounded style and maintain strong silhouette clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸