Sans Other Isbah 3 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'JollyGood Proper' and 'JollyGood Sans' by Letradora (names referenced only for comparison).
Keywords: branding, packaging, posters, headlines, children’s media, playful, quirky, friendly, casual, handmade, add personality, handmade feel, soften tone, friendly display, rounded, bouncy, soft corners, idiosyncratic, cartoonish.
A rounded sans with monoline strokes and noticeably irregular, hand-drawn geometry. Counters are open and generously sized, while terminals often end in softly clipped or slightly angled cuts that create a lively, uneven rhythm. Curves lean toward circular forms (notably in O, C, G, and 0), contrasted by subtly wobbly verticals and diagonals that keep spacing and silhouettes intentionally imperfect. Uppercase and lowercase share the same buoyant construction, with simple, single-storey forms and compact joins that favor clarity over strict geometric precision.
This style is well suited to branding and packaging that benefit from a friendly, handcrafted tone, as well as posters and headlines where personality is more important than typographic neutrality. It can also work well for children’s media and casual editorial callouts where a warm, playful voice is desired.
The overall tone is upbeat and informal, with a whimsical, human presence that feels approachable rather than technical. Its gentle irregularities suggest spontaneity and warmth, giving text a conversational voice that reads as playful and slightly eccentric.
The design appears intended to deliver an approachable sans that keeps the familiarity of simple, readable forms while injecting character through controlled irregularity and softened terminals. It prioritizes charm and voice over strict consistency, aiming for a lively, human-made impression in display settings.
The numerals echo the same soft, rounded construction; several figures show angled entry/exit cuts that add motion and personality. In longer text, the uneven stroke endings and slightly shifting widths create a textured color that feels more like lettering than a rigid system.