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Free for Commercial Use

Stencil Esga 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Festivo Letters' by Ahmet Altun, 'Cream Opera' by Factory738, 'Corner Deli' by Fenotype, and 'PG Grotesque' by Paulo Goode (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, labels, industrial, authoritative, utilitarian, poster-ready, tactical, impact, space-saving, ruggedness, marking, condensed, blocky, monoline, high-impact, cutout.


Free for commercial use
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This is a condensed, heavy, all-caps-forward stencil serif with monoline strokes and sharply cut terminals. Forms are built from tall verticals and compact bowls, with consistent stencil breaks that create clear bridges through stems, counters, and joins. Curves are simplified and slightly squared-off, producing a sturdy, engineered rhythm, while numerals and punctuation maintain the same cutout logic for a cohesive texture in text.

Well-suited to bold headlines, posters, and display settings where impact and a technical stencil flavor are desired. It also fits packaging, labels, wayfinding, and branded graphics that want an industrial or tactical voice, especially at medium-to-large sizes where the stencil structure stays crisp.

The overall tone is industrial and no-nonsense, evoking labeling, equipment markings, and rugged signage. Its tight proportions and deep black mass feel commanding and pragmatic, with the stencil gaps adding a utilitarian, manufactured character.

The design appears intended to deliver maximum punch in a compact width while retaining unmistakable stencil construction. By keeping stroke modulation minimal and the bridges systematic, it aims for a robust, reproducible look associated with marked objects, warnings, and utilitarian typography.

Stencil joins are placed prominently and repeatedly, so the negative cuts read as part of the design rather than incidental damage. At larger sizes the bridges become a distinctive pattern; at smaller sizes they may visually close up, shifting the texture toward a dense, segmented black.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸