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Free for Commercial Use

Sans Superellipse Jaky 2 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Ramsey' by Associated Typographics, 'Hyper Fatos' by Bisou, 'Barion' by Drizy Font, 'FTY Overkill Condensed' by Fontry West, and 'Bigticy' by Présence Typo (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, stickers, playful, chunky, retro, friendly, cartoonish, impact, approachability, retro display, branding, rounded, blobby, soft corners, compact, heavyweight.


Free for commercial use
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A chunky, rounded sans built from squarish superellipse forms with softened corners and broad, even strokes. Counters are small and often rectangular, giving the letters a dense, ink-heavy color and a slightly compressed interior rhythm. Curves are simplified and geometric rather than calligraphic, with short terminals and minimal tapering; joins stay sturdy and block-like. The x-height reads high, with compact ascenders and descenders, and the overall texture is consistent and punchy across letters and numerals.

Best suited to display settings where impact matters: headlines, posters, product packaging, and bold branding marks. It also works well for playful labels, stickers, and short UI callouts where a friendly, chunky tone is desired. For longer text, larger sizes and generous spacing will help preserve legibility.

The tone is bold and upbeat, leaning toward a playful retro display feel. Its soft, blobby geometry keeps it friendly and informal, while the heavy mass makes it confident and attention-grabbing. The overall impression suggests a cartoon-leaning, poster-ready voice rather than a neutral text workhorse.

The design appears intended to deliver maximum visual weight with a soft, approachable geometric skeleton. By using rounded-rectangle construction and small counters, it creates a distinctive, high-impact texture aimed at expressive display typography rather than understated reading.

At smaller sizes the tight counters and dense interiors may begin to fill in, so spacing and size choices matter for clarity. The numerals share the same rounded-rectangle construction, keeping a cohesive, signage-like presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸