Sans Faceted Umge 7 is a very bold, wide, low contrast, upright, normal x-height font.
Keywords: logotypes, posters, headlines, gaming ui, sci‑fi titles, futuristic, techno, industrial, retro arcade, sci‑fi, impact, futurism, machined look, display clarity, branding, angular, faceted, octagonal, geometric, blocky.
A heavy, geometric sans built from sharp planar facets rather than true curves, producing octagonal counters and clipped corners throughout. Strokes are monolinear and squared-off, with frequent chamfers that create a machined, hard-surface rhythm. Uppercase forms read compact and sturdy with squared bowls (D, O, Q) and angular joins (M, N, W), while the lowercase mirrors the same construction with simple, single-storey shapes and squared terminals. Numerals follow the same faceted logic, with straight segments and cut-in corners that maintain a consistent, modular feel across the set.
Best suited to display use where the faceted silhouettes can read clearly—titles, posters, product marks, game menus, and tech-oriented packaging. It also works well for short UI labels or signage-style applications when set with generous size and spacing to preserve the angular details.
The overall tone is assertive and synthetic, evoking interfaces, robotics, and arcade-era display typography. Its faceted construction adds a tactical, engineered character that feels at home in science-fiction and industrial branding contexts.
The design appears intended to translate a geometric sans into a hard-edged, beveled aesthetic, prioritizing impact and a cohesive futuristic voice over neutral text readability. Its consistent chamfer system suggests a goal of creating a modular, machine-cut look that remains recognizable across letters and numerals.
Distinctive chamfers and internal notches give many letters a stenciled, segmented impression, helping establish a strong silhouette at larger sizes. The design favors straight lines and beveled transitions, so tight spacing and small sizes may reduce clarity in dense text compared to more open grotesks.