Sans Faceted Kope 7 is a bold, very wide, low contrast, upright, normal x-height font visually similar to 'Elogium Pro', 'Kashi', 'Parsi', and 'Pasargad' by Naghi Naghachian (names referenced only for comparison).
Keywords: headlines, posters, game ui, logos, sports branding, techno, industrial, sci‑fi, arcade, tactical, futuristic display, machined look, modular system, impactful branding, angular, beveled, faceted, octagonal, blocky.
A heavy, geometric sans built from straight strokes and clipped corners, replacing curves with planar facets. Counters are largely rectangular or octagonal, and terminals are consistently chamfered, giving letters a machined, modular look. The forms are roomy and horizontally expansive, with broad bowls (O, D) and squared punctuation-like cut-ins in several glyphs; diagonals appear mainly in A, K, V, W, X, Y and are kept crisp and linear. Lowercase follows the same construction, with single‑storey a and g and simplified joins that favor hard angles over smooth transitions. Numerals echo the same cut-corner geometry, reading as stenciled, panel-like shapes rather than classic lining figures.
Best suited to short, high-impact settings where its angular silhouette can carry the design: headlines, posters, esports/sports branding, game UI, tech product marks, and packaging accents. It can work for brief blocks of copy at larger sizes, though the dense, blocky texture is most effective in display applications.
The faceted construction and blunt, engineered shapes create a distinctly technological, game-interface tone. It feels assertive and utilitarian, evoking hardware labeling, futuristic UI, and industrial signage more than editorial or literary settings.
The design appears intended to translate a futuristic, machined aesthetic into a highly legible display sans by systematically faceting curves and standardizing chamfered corners across the set. The consistent geometry suggests a goal of strong word-shape presence and a cohesive, modular voice for interface and branding contexts.
Round letters (O, Q, C, G) are handled as multi-sided shapes with consistent corner clipping, which keeps texture even across words. The Q tail is integrated as an angular notch/diagonal detail, and the S and Z show stepped, segmented diagonals that reinforce the digital, constructed rhythm.