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Free for Commercial Use

Sans Normal Odbav 17 is a very bold, normal width, monoline, upright, tall x-height font visually similar to 'Amonos display' by Brenners Template, 'Newcastle' by FaceType, 'Devinyl' by Nootype, and 'Glendale' by Sarid Ezra (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, logos, friendly, playful, chunky, retro, approachable, display impact, friendly tone, brand presence, clarity in heavy weight, rounded, soft corners, compact, high contrast counters, ink-trap like cuts.


Free for commercial use
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A heavy, rounded sans with compact proportions and a high x-height that creates dense, confident text color. Strokes are consistently thick with softened corners and generous curves, while many joins and terminals show small wedge-like notches and cut-ins that add texture and prevent shapes from clogging. Counters are relatively tight but remain open thanks to these strategic cutouts, giving letters a lively, slightly engineered rhythm. Numerals and capitals share the same stout, rounded construction, producing a cohesive, poster-ready silhouette.

Best suited to display sizes where its rounded weight and characteristic cut-ins can be appreciated—headlines, posters, packaging, and brand marks. It can also work for short blocks of copy or captions when a bold, friendly voice is desired, but its dense color suggests avoiding very small sizes or overly long passages.

The overall tone is upbeat and approachable, with a playful retro character that feels friendly rather than formal. Its chunky shapes and quirky cut-ins add personality and a handcrafted warmth, while still reading as modern and clean at a glance.

Likely designed to deliver maximum impact with a warm, inviting tone, combining bold rounded geometry with functional cut-ins to maintain clarity in heavy strokes. The consistent, punchy construction suggests an emphasis on memorable branding and confident display typography.

The font’s distinctive identity comes from repeated angular “bites” at joints and terminals, which introduce sparkle and separation in dense settings. In continuous text it forms a strong, dark mass with clear word shapes, making it feel energetic and attention-grabbing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸