Sans Normal Ohbah 17 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Nicky Sans' by Digitype Studio, 'Seitu' by FSD, 'Nexa' by Fontfabric, 'CF Asty' by Fonts.GR, 'Mirai' by GT&CANARY, 'Acherus Feral' and 'Acherus Grotesque' by Horizon Type, 'Sultan Nahia' by Linotype, and 'TT Norms Pro' by TypeType (names referenced only for comparison).
Keywords: headlines, branding, posters, ui labels, packaging, modern, confident, friendly, clean, pragmatic, impact, clarity, modernity, versatility, geometric, rounded, compact, sturdy, high legibility.
This is a heavy, geometric sans with round, constructed forms and minimal stroke modulation. Curves are smooth and broadly circular, while straight strokes and terminals are cleanly cut, giving a crisp, engineered feel. Proportions read slightly compact with generous interior counters that help maintain clarity at large sizes, and the overall rhythm is even and stable across the alphabet. Numerals are robust and straightforward, matching the letterforms’ solid, contemporary structure.
It performs best in display and short-to-medium text settings where strong presence and quick readability are priorities, such as headlines, brand marks, signage, and packaging callouts. In interface contexts it suits buttons, navigation labels, and marketing banners where a firm, contemporary voice is needed. The sturdy construction also makes it effective for typographic layouts that rely on simple, high-impact shapes.
The font communicates a modern, confident tone with a friendly edge due to its rounded geometry and open counters. It feels straightforward and functional rather than expressive, projecting reliability and clarity. The weight and compactness add emphasis and impact, making it feel assertive without becoming aggressive.
The design appears intended to deliver a contemporary geometric sans look with maximum clarity and punch. Its emphasis on rounded construction, clean terminals, and consistent rhythm suggests a focus on versatile, modern communication across branding and editorial display.
The sample text shows strong word-shape consistency and clear separation between similar forms, supporting fast scanning in short blocks. Circular letters (like O/C) and bowl-based forms (like P/R) appear especially cohesive, reinforcing the typeface’s geometric construction.