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Free for Commercial Use

Calligraphic Afhy 2 is a regular weight, normal width, medium contrast, upright, normal x-height font.

Keywords: book text, editorial, invitations, branding, headlines, classic, literary, refined, warm, traditional, human warmth, classic text, craft feel, elegant voice, serifed, bracketed, flared, calligraphic, bookish.


Free for commercial use
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A serifed, calligraphic text face with gently modulated strokes and soft, bracketed serifs that often flare into wedge-like terminals. Curves are generously rounded and slightly irregular in a hand-drawn way, giving the letters a lively rhythm without looking rough. Proportions lean a bit wide with open counters, and the lowercase shows a distinct, readable structure with a single-storey a and g, a curved-tailed y, and softly tapered joins. Numerals follow the same pen-influenced logic, with smooth curves and subtle terminal flicks that keep the set cohesive in running text.

Well-suited for book interiors, editorial layouts, and literary or cultural communications where a traditional voice with a human touch is desired. It can also work effectively for invitations, certificates, and branding systems that want a refined, classic tone in display sizes, while remaining readable in paragraph settings.

The overall tone is formal yet personable—evoking old-style printing and pen-made lettering rather than a mechanical, modern feel. It reads as cultured and storybook-like, with a gentle, human warmth that suits expressive but still legible typography.

The font appears intended to blend the authority of a traditional serif with the expressiveness of hand-influenced letterforms, producing a text-friendly design that feels crafted rather than purely engineered. Its moderate modulation and soft serifs aim to maintain comfort in continuous reading while adding a distinctive, personable character.

The design balances classic serif cues with noticeable handwritten energy, visible in small variations in stroke endings and the slightly springy curvature of diagonals. Uppercase forms feel stately and steady, while the lowercase carries more of the calligraphic motion, creating a pleasant hierarchy for headings and text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸