Wacky Gehi 2 is a bold, normal width, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, logos, album art, game titles, mischievous, tribal, punk, hand-cut, primitive, attention-grabbing, expressive texture, handmade feel, edgy display, playful shock, angular, jagged, faceted, wedge-like, spiky.
A jagged, angular display face built from wedge-like strokes and sharply cut terminals. Curves are treated as faceted arcs, and many bowls become diamond or kite-shaped counters, creating a carved, shard-like silhouette throughout. Stroke edges feel irregular and hand-cut, with subtle slanting and asymmetric joins that give letters an animated, uneven rhythm. Proportions vary notably from glyph to glyph, with compact widths in some characters and broader, splayed forms in others, emphasizing a lively, non-mechanical texture in words and lines.
Best suited to display contexts such as posters, packaging callouts, event flyers, game or comic titling, and expressive brand marks where texture and attitude are desirable. It can also work for short bursts of text—taglines, labels, or section headers—especially at larger sizes where the carved shapes and counters remain clear.
The overall tone is playful and unruly, with a slightly ominous, ritualistic edge—like lettering cut from paper or chiseled from stone. It reads as energetic and offbeat, delivering a bold, mischievous personality suited to attention-grabbing statements rather than quiet reading.
Likely intended as a high-impact novelty display font that prioritizes distinctive, hand-made energy over typographic neutrality. Its faceted curves, pointed terminals, and variable proportions aim to inject motion and personality into titles and branding-oriented text.
The design maintains a consistent sharp-corner vocabulary across caps, lowercase, and numerals, with frequent triangular notches and pointed inflections that create strong texture at larger sizes. Spacing and contours are intentionally irregular, which enhances character but can make dense paragraphs feel visually noisy; it performs best when given room to breathe.