Blackletter Irfa 3 is a bold, normal width, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, book covers, medieval, gothic, dramatic, mystical, ornate, thematic display, historical flavor, hand-drawn character, dramatic impact, angular, spiky, faceted, calligraphic, high-waistlines.
A blackletter-inspired display face with chunky, wedge-like strokes and sharp, faceted terminals. Letterforms are built from angled bowls and broken curves, giving counters a diamond and teardrop character and producing a distinctly jagged silhouette. Stroke joins are assertive and often cut at oblique angles, with occasional tapered points that suggest pen or brush pressure without becoming overly delicate. Proportions vary noticeably from glyph to glyph, contributing to a lively rhythm and a hand-drawn, slightly irregular texture across words and lines.
Best suited to short, attention-grabbing settings such as headlines, poster titles, logotypes, game or film branding, and themed packaging. It can also work for book covers and chapter openers where a medieval or fantasy atmosphere is desired; for extended reading, larger sizes and generous spacing will help preserve clarity.
The overall tone is medieval and theatrical, evoking illuminated manuscripts, fantasy ephemera, and occult-leaning poster aesthetics. Its spiky contours and emphatic forms create a sense of drama and mystery, while the playful irregularity keeps it from feeling strictly formal or institutional.
The design appears intended to deliver an expressive, hand-crafted blackletter look with bold presence and strong thematic signaling. Its angular construction and varied proportions prioritize personality and atmosphere over neutrality, aiming for memorable word shapes and a distinctly historical-fantasy voice.
In longer phrases the texture becomes dense and lively, with strong dark areas and distinctive negative spaces that help define each character. The numerals follow the same broken-curve logic, reading as decorative and period-flavored rather than utilitarian. Spacing appears intentionally energetic, with word shapes that feel hand-set and expressive.