Slab Square Ahma 2 is a light, wide, low contrast, upright, normal x-height font visually similar to 'Majora' and 'Majora Pro' by Latinotype (names referenced only for comparison).
Keywords: editorial, magazines, books, headlines, branding, literary, calm, formal, classic, readability, editorial tone, classic slab voice, clarity, slab serif, bracketed serifs, open counters, generous spacing, crisp joins.
This typeface presents a sturdy slab-serif build with clearly articulated, squared serifs that read as gently bracketed rather than purely abrupt. Strokes are fairly even in weight, producing a steady texture with minimal contrast, and the letterforms are broad with open counters that keep the shapes clear. Curves are smooth and restrained (notably in C, O, and S), while verticals remain straight and stable; terminals and serifs create a consistent, architectural rhythm. The lowercase shows a straightforward, readable construction with a two-storey a and g, compact ear and beak details, and relatively short extenders that help maintain an even paragraph color.
Well-suited to editorial typography, such as magazine layouts, book interiors, and essay-like longform where a stable, slab-serif texture supports comfortable reading. Its broad proportions and firm serifs also make it effective for headlines, pull quotes, and brand wordmarks that need a traditional yet clean presence.
Overall, the font conveys a composed, bookish tone—solid and dependable rather than flashy. Its slab-serif voice adds a hint of authority and tradition, while the open forms and even stroke weight keep it approachable and calm in continuous reading.
The design appears intended to blend classic slab-serif structure with a lighter, more spacious page color, balancing authority with readability. Its consistent serifs and open forms suggest a focus on dependable text performance while still offering enough personality for display settings.
In text, the design maintains a steady cadence with clear differentiation between similar shapes (for example, I, l, and 1) and numerals that feel consistent with the letterforms. The serifs contribute to strong baseline and cap-line presence, giving headings a stately, editorial feel without becoming heavy.