Sans Contrasted Pune 6 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Policia Secreta' by Woodcutter (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, industrial, vintage, authoritative, sporty, poster-ready, impact, display clarity, retro signage, athletic branding, industrial tone, blocky, condensed feel, octagonal, square-ended, cut-in notches.
A compact, block-built sans with a distinctly squared, octagonal construction and abrupt terminals. Strokes are heavy with visible thickness modulation created by angular cut-ins and stepped joins, giving counters and apertures a machined, stencil-like rhythm without fully breaking forms. The letters sit tall with tight internal space, narrow openings, and crisp right-angle corners softened only by occasional small bevels. Numerals and capitals carry strong vertical emphasis, while lowercase remains sturdy and compact, maintaining a consistent, tightly packed texture in text.
Best suited to headlines, posters, and brand marks where its dense, angular structure can carry impact at larger sizes. It also works well for sports-themed identities, event graphics, labels, and packaging that benefit from a rugged, industrial voice.
The overall tone is assertive and utilitarian, evoking industrial signage and retro athletic graphics. Its sharp facets and dense blackness project strength and urgency, lending a slightly mechanical, hard-edged character that feels at home in bold, attention-seeking contexts.
The font appears designed to deliver maximum visual punch through compact proportions and faceted, high-impact shapes, while maintaining a consistent geometric system across capitals, lowercase, and numerals. Its angular cut-ins and stepped construction suggest an intention to reference vintage signage and athletic display lettering in a clean, sans-based framework.
The design relies on repeated geometric motifs—stepped shoulders, squared bowls, and angular spur-like cutouts—that create a distinctive patterning when set in lines. Because apertures tend to be narrow and counters are small, the face reads best when given enough size and spacing to keep interior shapes from filling in visually.