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Sans Superellipse Myde 2 is a very bold, normal width, high contrast, upright, tall x-height font visually similar to 'Shtozer' by Pepper Type (names referenced only for comparison).

Keywords: headlines, posters, logotypes, packaging, sports branding, industrial, techno, arcade, tough, compressed, impact, systematic, futuristic, rugged branding, display emphasis, modular, rounded corners, blocky, stencil-like, notched.


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A heavy, modular sans built from rounded-rectangle geometry with squared counters and softened corners. Strokes are broadly uniform, with prominent vertical emphasis and tight interior apertures that create a high-ink, poster-like silhouette. Many forms feature small notches and cut-ins at joins and terminals, giving a slightly stencil-like construction without fully breaking the shapes. The lowercase is tall and sturdy, with compact bowls and short crossbars that keep the rhythm dense and rectangular, while numerals and capitals maintain the same engineered, superellipse-based structure.

Best suited to display roles where its chunky, notched forms can read clearly: headlines, posters, album/game titles, event graphics, and bold packaging. It can also work for compact logotypes and badges where a tough, engineered voice is desired, especially when set with generous tracking.

The overall tone reads industrial and techno-forward, with an arcade/display flavor driven by its chunky modules and deliberate cut-ins. It feels assertive and utilitarian rather than friendly, suggesting machinery, sci‑fi interfaces, and rugged branding. The rounded corners soften the impact just enough to keep it contemporary instead of purely brutal.

The font appears designed to translate rounded-rectangle construction into a bold, attention-grabbing display voice, using notches and cut-ins to add identity and a techno-industrial edge. Its consistent modular structure suggests an intention to feel systematic and graphic, with strong silhouettes that hold up in branding and titling contexts.

The design’s narrow counters and frequent internal notches increase character at large sizes, but also make fine details more critical in small settings. Curves are consistently squared-off into rounded rectangles, keeping a disciplined, system-like look across capitals, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸