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Free for Commercial Use

Outline Umsi 6 is a regular weight, wide, low contrast, upright, normal x-height font.

Keywords: posters, headlines, signage, packaging, logotypes, vintage, ornamental, playful, circus, display, decorative impact, vintage styling, signage look, inline texture, display clarity, inline, shadowed, bifurcated, bracketed, high-waisted.


Free for commercial use
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An outlined, inline serif with a distinctive split-stroke construction: most stems and curves are drawn as two parallel contours with a consistent interior channel, giving a hollow, engraved feel. Proportions are generous and open, with sturdy slab-like serifs and minimal stroke modulation; curves stay smooth and broadly drawn, while terminals and joins remain crisp and geometric. The lowercase maintains clear, readable forms with compact bowls and straightforward apertures, while numerals and capitals present a structured, poster-ready rhythm. Overall spacing feels even and deliberate, emphasizing the decorative internal striping without becoming overly fussy.

Best suited to headlines, posters, and short phrases where the outlined split strokes can read clearly. It works well for signage, packaging accents, event and entertainment branding, and logo wordmarks that benefit from a vintage inline look. For long body text, it will be more effective when set large with comfortable tracking.

The double-line outline treatment reads as theatrical and nostalgic, evoking playbill lettering, fairground signage, and turn-of-the-century display printing. Its crisp contours and consistent inline gap give it a confident, crafted tone that feels both retro and lighthearted rather than formal.

The design appears intended to deliver a decorative inline outline serif that mimics engraved or sign-painted lettering, prioritizing character and presence over typographic neutrality. Its consistent double-line construction suggests a goal of creating instant visual texture with minimal contrast and a sturdy, print-friendly silhouette.

The internal channeling is applied consistently across straight and curved strokes, creating a built-in highlight/shadow effect that increases visual sparkle at larger sizes. At smaller sizes the interior gaps may visually close, so the design naturally favors display contexts where the outline and inline can remain distinct.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸