Font Hero

Free for Commercial Use

Sans Superellipse Hobud 1 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Grandheron Sans New' by André Simard; 'AG Book W1G', 'Akzidenz-Grotesk', and 'Akzidenz-Grotesk W1G' by Berthold; 'Neusa Neu' by Inhouse Type; and 'Britva' by Juraj Chrastina (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, assertive, friendly, playful, retro, poster-like, high impact, softened boldness, display legibility, brand voice, blocky, rounded, soft corners, chunky, compact.


Free for commercial use
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A heavy, blocky sans with rounded-rectangle construction and broadly curved corners throughout. Strokes are uniform and dense, with large counters that keep the forms open despite the mass. Curves and terminals tend to square off softly, giving letters a superelliptical, engineered feel rather than purely circular geometry. The lowercase is large and sturdy, with simple, single-storey forms and minimal articulation, while numerals follow the same compact, rounded-block logic for strong visual consistency.

Best suited for headlines and short statements where high impact and quick recognition are priorities. It works well for posters, signage, packaging, and bold brand applications that benefit from a compact, rounded-block voice. For longer passages, it’s most effective in larger sizes with ample leading to avoid a heavy page color.

The overall tone is bold and approachable, combining a sturdy industrial presence with a softened, friendly edge. Its chunky rhythm and rounded corners lend a playful, slightly retro flavor that reads as confident and attention-grabbing rather than delicate or formal.

The design appears intended to deliver maximum presence with a friendly, softened geometry, pairing billboard-level weight with rounded, utilitarian forms. It aims for a distinctive, contemporary display voice that remains highly legible at large sizes.

In text settings the weight creates strong texture and tight internal spacing, so it performs best when given generous line spacing and room around it. The design’s rounded-square geometry produces a distinctive silhouette that stays consistent across caps, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸