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Free for Commercial Use

Sans Normal Tyrez 2 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Britannic EF' by Elsner+Flake, 'Britannic' by Linotype, 'Grenoble Serial' by SoftMaker, 'TS Grenoble' by TypeShop Collection, and 'Britannic' and 'Globe' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, logos, friendly, retro, chunky, playful, confident, display impact, brand warmth, retro flavor, bold readability, soft corners, bulbous, compact, sturdy, rounded terminals.


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A heavy, compact sans with rounded geometry and softened corners throughout. Strokes are thick and emphatic, with noticeable contrast between straights and curved joins that creates a sculpted, slightly ink-trapped feel in places. Counters tend to be small and enclosed, and many curves are drawn as broad, circular bowls with tight apertures, giving the forms a dense, poster-ready color. The lowercase keeps a simple, single-story structure (notably in a and g), and the numerals are similarly weighty with generous curves and stable, blocky construction.

Best suited to headlines and short bursts of text where its dense weight and rounded forms can carry impact—posters, bold branding, packaging, and logo wordmarks. It can work for subheads or short callouts, but long paragraphs may feel heavy due to the compact counters and strong overall color.

The overall tone feels warm and approachable while still forceful and attention-grabbing. Its chunky rounds and compact spacing evoke a retro display sensibility, reading as cheerful, informal, and a bit quirky rather than sleek or technical.

The design appears intended to deliver friendly, high-impact display typography with a retro-leaning, rounded voice. Its emphasis on thick strokes, compact interiors, and smooth curves suggests an aim for bold readability at large sizes and distinctive, approachable branding presence.

The design favors strong silhouette over interior whitespace, so texture becomes dark and rhythmic in longer lines. Curved letters (like S, C, and G) show pronounced swelling and tightening at joins, which adds personality and a hand-shaped impression without becoming truly irregular.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸