Sans Superellipse Upfa 9 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'Bunken Tech Sans Wide' by Buntype and 'Bi Bi' by Naghi Naghachian (names referenced only for comparison).
Keywords: headlines, logos, posters, branding, sportswear, futuristic, tech, industrial, sporty, bold, impact, modernity, interface feel, brand presence, geometric system, rounded corners, squarish rounds, blocky, geometric, compact apertures.
A heavy, geometric sans with rounded-rectangle construction and softly radiused corners throughout. Curves resolve into squarish bowls and superelliptical counters, giving O/0-like forms a compact, pill-shaped interior. Strokes are monolinear and the joins are clean, with flat terminals and a tightly engineered feel. Proportions skew broad and stable, with firm horizontals and slightly condensed inner spaces in letters like S, e, and a, producing a dense, high-impact texture in text.
Best suited to large sizes where its blocky superelliptical geometry and rounded corners can read clearly—headlines, logo marks, packaging, posters, and athletic or tech branding. It can also work for short UI labels or signage where a robust, contemporary voice is desired, though the compact apertures may feel dense in longer passages at small sizes.
The overall tone reads modern and machine-made, mixing a friendly softness from the rounded corners with a tough, performance-oriented presence. It suggests contemporary tech, motorsport, and sci‑fi interfaces—confident, assertive, and optimized for impact rather than delicacy.
Likely designed to deliver a contemporary display sans that combines strict geometric construction with softened corners, creating a futuristic yet approachable silhouette. The emphasis appears to be on high-impact legibility and a cohesive, modular shape system that holds together across letters and numerals.
The squarish curves and reduced apertures create a strong “stamped” rhythm that stays consistent across uppercase, lowercase, and numerals. Round characters (C, G, O, Q) keep their geometry disciplined, while diagonals (V, W, X, Y, Z) remain sharp and emphatic, reinforcing an engineered, display-first look.