Sans Superellipse Wahy 3 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'Square 721' by Bitstream, 'Arian' by Linotype, 'Bi Bi' by Naghi Naghachian, 'Eurostile SB' by Scangraphic Digital Type Collection, and 'Millenium Pro' by TypoStudio Pro (names referenced only for comparison).
Keywords: headlines, posters, branding, logos, packaging, techy, futuristic, industrial, sporty, bold, impact, modernity, systematic, rounded corners, blocky, squared, compact counters, modular.
A heavy, wide display sans built from rounded-rectangle geometry with consistently softened corners and mostly uniform stroke thickness. Bowls and counters are compact and squarish, giving letters a sturdy, engineered feel, while joints stay clean and simplified with minimal detailing. Uppercase forms read as broad and stable, and the lowercase echoes the same superelliptical logic with short, sturdy extenders and closed, rounded terminals. Numerals are similarly wide and block-like, maintaining the same corner radii and dense interior spaces for a cohesive set.
This font is best suited to high-impact display roles such as headlines, posters, product branding, and logo wordmarks where its broad stance and rounded-rect geometry can read clearly. It also fits UI-style titling, esports or automotive graphics, and short callouts where a compact, engineered texture is desirable.
The overall tone is assertive and contemporary, balancing friendly rounded corners with a strong, mechanical backbone. It suggests tech interfaces, motorsport energy, and industrial branding—confident, loud, and functional rather than delicate or expressive.
The design appears intended to translate superelliptical, rounded-rectangle forms into a bold, wide alphabet that feels modern and manufactured. Its simplified construction and consistent corner treatment prioritize strong silhouette recognition and a cohesive, system-like presence across letters and numerals.
The wide proportions and tight counters create a dense texture in paragraph settings, where the rhythm becomes more about solid shapes than interior white space. Distinctive squared-off curves and consistent rounding help maintain recognition at a glance, especially in large sizes.