Sans Normal Olmot 25 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'BR Segma' by Brink, 'Oriet' by Lafontype, 'Goga' by Narrow Type, and 'Reyhan' by Plantype (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, ui labels, modern, friendly, confident, clean, utilitarian, clarity, impact, modernity, neutral branding, geometric, rounded, sturdy, high-clarity, even rhythm.
This sans has a solid, heavy color with smooth, rounded curves and largely geometric construction. Strokes are consistently thick with minimal modulation, and terminals are clean and abrupt, keeping the silhouettes crisp. Counters are open and generously sized for the weight, supporting legibility, while circular forms (C, O, Q, 0) read as near-perfect rounds with steady spacing. The lowercase is straightforward and compact, with short-to-moderate extenders and simple joins that maintain an even texture across lines. Numerals are similarly robust and clear, matching the overall blocky, contemporary rhythm.
It works well for headlines and short display copy where strong presence and clean shapes are needed. The sturdy forms and open counters also make it suitable for signage and UI labels, especially at medium-to-large sizes. It can serve modern branding systems that want a friendly geometric voice without looking playful.
The tone is modern and approachable, balancing friendliness from the round forms with confidence from the dense, stable weight. It feels practical and direct rather than decorative, suited to clear communication where impact and clarity matter. Overall, it conveys a contemporary, no-nonsense personality with a subtly warm edge.
The font appears designed as a contemporary geometric sans optimized for clarity and impact, using consistent stroke strength and rounded structures to stay legible while projecting a strong, modern identity.
The design maintains a consistent visual system across uppercase, lowercase, and figures, producing a uniform typographic “wall” in paragraphs and headlines. Round letters stay smooth and controlled, while straight-sided letters keep firm verticals, creating a dependable, workhorse impression.