Sans Faceted Syvu 3 is a very bold, wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, game ui, packaging, industrial, techno, futuristic, arcade, aggressive, impact, machined look, sci-fi tone, signage, octagonal, angular, geometric, blocky, compact.
A heavy, geometric display sans built from straight strokes and clipped corners, replacing curves with crisp planar facets. The forms lean on octagonal bowls and chamfered terminals, producing a consistent, hard-edged silhouette across caps, lowercase, and figures. Counters are generally small and squarish, and joins are abrupt, with minimal optical softening; this creates strong, uniform color and clear, modular construction. The lowercase largely echoes the uppercase structure, with simplified, mechanical shapes and restrained differentiation between related letters.
Best suited to short, high-impact text such as headlines, posters, logotypes, and brand marks where the faceted geometry can be appreciated. It also fits game/UI titles, esports or techno-themed graphics, and packaging or labeling that benefits from an industrial, engineered voice. For long passages, its dense color and tight internal spaces suggest using generous size and spacing.
The overall tone is assertive and machine-made, evoking sci‑fi interfaces, industrial labeling, and arcade-era graphics. Its sharp facets and dense black shapes read as forceful and tactical, with a distinctly constructed, engineered feel rather than friendly or organic warmth.
The design appears intended to translate a constructed, hard-surface aesthetic into a readable sans, using consistent chamfers and planar cuts to suggest machined components and digital-era signage. By minimizing curvature and emphasizing straight segments, it aims for a bold, emblematic presence that holds up in display contexts.
The distinctive chamfering becomes a primary identifying feature, giving round letters like O/C/G/Q a cut-metal look. At smaller sizes the tight counters and internal cut-ins can visually fill in, while at larger sizes the faceting reads as a deliberate texture and style cue.