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Sans Superellipse Gynuw 16 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Siro' by Dharma Type, 'Bega' by Indian Type Foundry, 'Sone' by Soneri Type, 'Kongress' by Tipo Pèpel, 'Alfaqix Ellipsoid' by Typodermic, and 'Ranelte' by insigne (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, modern, confident, friendly, utilitarian, techy, impact, clarity, modernization, approachability, systematization, rounded, blocky, geometric, superelliptic, compact.


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A heavy, geometric sans with a superellipse construction: round letters read as rounded rectangles and corners are consistently softened rather than fully circular. Strokes are monolinear with flat terminals, producing a solid, compact color and steady rhythm in text. Counters are relatively tight and apertures lean toward closed, while curves transition into straights with crisp, engineered joins. Overall proportions feel sturdy and slightly condensed in the interior spaces, with simple, no-nonsense numeral shapes that match the same squared-round logic.

Best suited to display roles where strong presence and quick recognition are needed, such as headlines, posters, brand marks, packaging, and wayfinding. It can also work for short UI labels or dashboards when a bold, contemporary tone is desired, though extended small text may feel dense due to the tight internal spaces.

The tone is contemporary and direct, with a friendly edge created by the rounded corners and pill-like curves. Its dense weight and squared geometry communicate confidence and practicality, giving it a tech-forward, signage-ready personality without feeling sharp or aggressive.

The design appears intended to deliver a modern, high-impact sans with a distinctive superelliptic skeleton—combining geometric discipline with rounded corners for approachability. It prioritizes clarity at large sizes and a consistent, system-like visual language across letters and numerals.

The superelliptic rounding is especially evident in C/G/O-like forms and in the squarish bowls of letters such as B/P/R, creating a coherent industrial geometry. In longer lines, the tight counters and heavy strokes emphasize impact over delicacy, making spacing and line breaks feel visually assertive.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸