Sans Superellipse Onlah 4 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: ui display, tech branding, gaming, signage, posters, techy, futuristic, clean, geometric, industrial, modernize, differentiate, interface clarity, tech aesthetic, display impact, rounded corners, squared bowls, soft terminals, stencil-like cuts, aerospace.
A geometric sans with rounded-rectangle construction and consistently softened corners. Strokes are even and crisp, with a mostly squared-off skeleton that leans on superelliptical bowls in letters like O, D, and G. Many characters show deliberate cut-ins and notches (especially around joints and diagonals), giving the shapes a segmented, engineered feel without becoming decorative. Apertures are controlled and moderately open, and the overall rhythm is compact and uniform, suited to tight settings and large display sizes.
Works best for interface headings, product branding, and technology-oriented identities where a clean geometric voice is needed with extra character. The squared curves and even stroke weight also make it suitable for wayfinding, packaging labels, and poster titling, particularly at medium-to-large sizes where the cutout details remain clear.
The overall tone is modern and technical, with an unmistakably engineered, sci‑fi flavor. Rounded corners keep it approachable while the angular diagonals and strategic cutouts add a utilitarian, machine-made edge. It reads as contemporary and forward-looking, suggesting interfaces, hardware, and mobility branding.
The design appears intended to merge geometric clarity with a distinctive engineered texture: superelliptical curves for consistency and friendliness, paired with notches and segmented joins to evoke precision hardware and digital systems. It aims to feel contemporary and functional while still being recognizable in display contexts.
Distinctive details include a squared, rounded-corner Q with a short vertical tail, a single-storey a, and numerals that follow the same rounded-rectangle logic (notably the segmented 2/3 and the boxed-in 8). Diagonals in K, V, W, X, and Y are sharp and clean, contrasting with the soft corners of curved forms, which heightens the technical character.