Sans Superellipse Onnek 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Block Capitals' by K-Type, 'Gemsbuck Pro' by Studio Fat Cat, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: ui, signage, branding, packaging, headlines, tech, clean, modern, utilitarian, futuristic, system clarity, tech aesthetic, geometric branding, interface legibility, rounded corners, square-round, modular, geometric, crisp.
A geometric sans built from rounded-rectangle and superellipse-like contours, with squared outer silhouettes softened by generous corner radii. Strokes are monoline and steady, producing a firm, engineered rhythm; counters tend toward squarish bowls with rounded corners. Terminals are clean and mostly flat, and many joins feel slightly modular, giving the design a constructed, grid-aware look. Curved letters such as C, G, O, and S read as squared rounds rather than true circles, while diagonals (A, V, W, X, Y) stay sharp and linear for contrast in texture.
Well suited to UI and product surfaces where a modern, system-oriented voice is needed, including dashboards, app headers, labels, and wayfinding. Its distinctive squared-round shapes also work for branding and packaging that aims for a tech-forward or industrial vibe, and it can serve as a strong display sans for short headlines and titling.
The overall tone is contemporary and technical, suggesting interfaces, industrial design, and streamlined product aesthetics. Its rounded-square geometry adds approachability without losing a precise, mechanical character, balancing friendly corners with a disciplined structure.
The design appears intended to deliver a contemporary geometric sans with a consistent rounded-rectangle grammar, prioritizing clarity, uniformity, and a recognizable tech-industrial silhouette.
The font maintains consistent corner treatment across uppercase, lowercase, and numerals, which helps create a cohesive system-like feel. Numerals follow the same squared-round construction, and punctuation and spacing in the sample text support a neat, organized reading texture that favors clarity over expressiveness.