Sans Other Obmy 13 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Stallman Round' by Par Défaut and 'Block' by Stefan Stoychev (names referenced only for comparison).
Keywords: headlines, posters, game ui, logotypes, packaging, techno, arcade, industrial, sci‑fi, mechanical, retro futurism, ui display, tech branding, high impact, modular geometry, angular, blocky, stencil‑like, squared, notched.
A compact, block-built sans with squared counters, hard right angles, and frequent diagonal chamfers that cut corners into crisp facets. Strokes are consistently heavy and uniform, with small rectangular apertures and counters that create a pixel-adjacent, modular rhythm. Many letters incorporate notches and step-like joins, producing a geometric, engineered look that stays highly legible at display sizes. Numerals and capitals feel especially rigid and architectural, while the lowercase echoes the same angular construction with simplified bowls and tight internal space.
Best suited to headlines, posters, and branding where bold, geometric letterforms are meant to dominate the page. It also fits game interfaces, esports or tech graphics, and packaging that benefits from an industrial, retro-futurist accent. For longer text, it will perform most cleanly at larger sizes with added spacing.
The font conveys a retro-digital, arcade and sci‑fi tone—confident, mechanical, and slightly aggressive. Its sharp facets and chunky silhouettes evoke industrial signage, game UI, and futuristic branding where a hard-edged voice is desirable.
The likely intent is a display face that merges modular, near-pixel construction with chamfered industrial detailing, delivering a strong techno voice while maintaining straightforward sans readability. It prioritizes impact, crisp geometry, and a consistent system of square counters and notched terminals.
The design leans on squared shapes and tight counters, so dark texture builds quickly in paragraphs; it reads best with generous tracking and comfortable line spacing. Diagonal corner cuts add visual motion without introducing curves, giving the overall texture a cut-metal, machined feel.