Sans Superellipse Okbuh 1 is a regular weight, narrow, medium contrast, upright, normal x-height font visually similar to 'Banigar' by Azzam Ridhamalik (names referenced only for comparison).
Keywords: signage, packaging, posters, ui labels, headlines, industrial, technical, retro, utilitarian, no-nonsense, space saving, legibility, industrial tone, geometric construction, condensed, squarish, rounded corners, monolinear, punchy.
A condensed sans with a monolinear feel and rounded-rectangle construction that gives curves a squarish, superelliptical look. Strokes are consistently sturdy with softened terminals, producing compact counters and a tight, vertical rhythm. The uppercase is tall and space-efficient, while the lowercase remains clear with simple, functional forms; numerals follow the same compact, upright logic. Overall spacing and proportions emphasize economy and legibility, with a distinctly engineered geometry rather than calligraphic movement.
This font works well where space is limited and messages need to read quickly, such as signage, wayfinding, packaging panels, and interface labels. Its condensed proportions and strong rhythm also suit headlines, posters, and short bursts of copy that benefit from a compact, industrial voice.
The tone is utilitarian and technical, with a subtle retro-industrial flavor reminiscent of labeling, machinery, and signage. Its compact build and rounded-square curves keep it approachable while still feeling precise and purposeful.
The design appears intended to deliver a compact, highly legible sans built from rounded-rect geometry—balancing a technical, engineered structure with softened corners for a friendlier finish. It prioritizes efficient width and clear silhouettes for practical communication.
Round characters (like C/O/Q) read more like rounded rectangles than circles, reinforcing the constructed aesthetic. Corners are consistently softened, which reduces harshness at display sizes while keeping the texture dense and focused in text.