Sans Faceted Ihmy 7 is a very light, wide, low contrast, upright, normal x-height font.
Keywords: display, headlines, posters, ui labels, wayfinding, futuristic, technical, minimal, sci‑fi, architectural, geometric system, tech voice, interface clarity, modular construction, monoline, geometric, squared, rounded corners, angular joints.
A monoline, geometric sans built from straight segments and squared counters with subtly rounded outer corners. Curves are largely replaced by planar, faceted turns, giving letters a boxy, constructed feel; rounds like O/C are drawn as squared forms with softened radii. Strokes stay consistent in thickness and endpoints are clean, with occasional open joins and clipped terminals that emphasize a schematic, drawn-with-a-plotter character. Spacing feels airy and the forms are horizontally generous, while lowercase and numerals maintain the same rectilinear logic for a cohesive, modular rhythm.
Best suited to display typography such as headlines, posters, tech branding, and interface labeling where its airy monoline strokes and geometric construction can be appreciated. It can also work for signage or wayfinding in clean environments, especially when used with generous size and spacing.
The overall tone is futuristic and technical, evoking instrumentation labels, retro digital interfaces, and architectural drafting. Its restrained line work and faceted construction read as precise and engineered rather than expressive, with a calm, minimal presence that still feels distinctly sci‑fi.
The design appears intended to translate a rectilinear, faceted construction system into a coherent sans alphabet—prioritizing consistency, modular geometry, and a forward-looking aesthetic. It aims to deliver a distinctive sci‑fi/technical voice while staying orderly and legible through simplified, engineered letterforms.
Several glyphs incorporate distinctive construction cues—open corners, stepped joins, and angular diagonals—that add identity without breaking the system. The design prioritizes clear silhouettes and consistent geometry, but the very thin strokes and open apertures suggest it will be most confident at larger sizes or in high-contrast settings.