Sans Faceted Ihna 8 is a very light, wide, low contrast, upright, normal x-height font.
Keywords: display, ui labels, tech branding, game graphics, posters, tech, futuristic, digital, schematic, glitchy, sci‑fi styling, interface clarity, geometric system, glitch accent, monoline, geometric, angular, octagonal, open counters.
A monoline, geometric sans built from straight strokes with clipped corners that suggest octagonal bowls rather than true curves. Stems are thin and consistent, with squared terminals and frequent use of open forms (notably in C, G, S-like shapes) that keep counters airy. Several glyphs incorporate stepped, pixel-like notches and breaks along strokes, introducing an intentionally irregular, faceted rhythm within an otherwise orderly grid-based construction. Lowercase mirrors the same architectural logic as the caps, with simple, squared joins and minimal modulation, producing a crisp, diagrammatic texture in text.
Best suited to display typography where its thin monoline build and chamfered geometry remain clearly visible—titles, logotypes, sci‑fi or tech branding, game UI, and interface-style labels. It can work for short passages in controlled contexts, but the delicate strokes and intermittent glitch details are most effective when given generous size and spacing.
The overall tone feels technological and slightly experimental, like interface labeling or sci‑fi instrumentation. The occasional “glitch” notches add a hacked, digital edge, balancing clean geometry with a subtle sense of interference. Its light, wiry presence reads as precise and engineered rather than warm or expressive.
The font appears designed to fuse a clean, engineered sans structure with faceted, corner-cut geometry and occasional pixel-step disruptions, creating a hybrid of schematic clarity and digital artifacting for futuristic or tech-forward communication.
The design relies on strict horizontals/verticals and chamfered corners, giving many characters a rounded-rectangle silhouette without true curvature. The stepped interruptions are used selectively, so text alternates between smooth schematic strokes and small bursts of pixelation, which becomes a defining signature at display sizes.