Sans Other Judak 3 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'FF Infra' by FontFont, 'Jam Grotesque' by JAM Type Design, and 'Raker' by Wordshape (names referenced only for comparison).
Keywords: posters, headlines, logotypes, signage, packaging, industrial, stencil, military, technical, sci-fi, stencil look, industrial labeling, tech styling, geometric display, rugged branding, octagonal, geometric, angular, notched, modular.
A heavy, geometric sans built from straight strokes and clipped corners, with an octagonal, chamfered construction throughout. Many letters include deliberate cut-ins and breaks—especially in curved forms—creating a stencil-like rhythm while keeping counters fairly open. Terminals are mostly flat or diagonally cut, diagonals are sharp and assertive, and joins feel engineered rather than calligraphic. Spacing appears sturdy and slightly utilitarian, with a consistent modular logic that carries across caps, lowercase, and numerals.
Best suited for display sizes where the chamfered corners and stencil breaks remain crisp and intentional. It works well for posters, titles, branding marks, product packaging, and wayfinding or label-style graphics that benefit from an industrial, technical voice. For long body text, its strong geometry and interruptions can become visually insistent, so it’s most effective in short bursts and high-contrast layouts.
The overall tone is rugged and functional, evoking industrial labeling, equipment markings, and tactical or engineered aesthetics. The notched, segmented curves add a contemporary techno edge that can read as sci-fi or game-oriented while still feeling practical and sign-like.
The design appears intended to translate a stencil or plate-cut construction into a clean geometric sans, emphasizing durability, clarity, and a mechanical feel. The consistent corner chamfers and strategic gaps suggest a focus on a manufactured, utilitarian aesthetic rather than neutral text readability.
Curved glyphs such as C, G, O, Q, and S are treated as faceted shapes with small interruptions, reinforcing the stencil/plate-cut impression. Numerals follow the same chiseled geometry, with 0 and 8 rendered as angular rings and 2/3/5 featuring clipped, mechanical turns.