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Free for Commercial Use

Stencil Geli 1 is a bold, normal width, monoline, upright, tall x-height font visually similar to 'Double Dagger' by Dharma Type (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, industrial, tactical, mechanical, utilitarian, techy, industrial marking, impact display, tech branding, rugged labeling, geometric, high-contrast, crisp, angular, modular.


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A heavy, geometric sans with a monoline construction and frequent stencil breaks that create clear bridges through bowls and verticals. Forms lean on straight stems, squared terminals, and rounded-rectangle counters, with occasional angled cuts (notably in diagonals and joins) that give the shapes a machined, modular feel. The lowercase is compact and sturdy, with a tall x-height and simplified, single-story-style constructions where applicable; apertures are controlled and counters stay open via the internal gaps. Numerals and capitals maintain consistent stroke weight and a tight, engineered rhythm, producing a dense, high-impact texture in text.

Best suited to display work where the stencil detailing can be clearly seen: posters, headlines, logos/wordmarks, packaging, and industrial or wayfinding-style signage. It can also work for short technical labels or UI callouts where a rugged, engineered voice is desired, while extended small-size reading may feel busy due to the frequent internal breaks.

The overall tone reads industrial and tactical—like labeling on equipment, containers, or technical panels. The stencil interruptions add a coded, mechanized character that feels modern and purposeful rather than decorative, conveying toughness and precision.

The design appears intended to merge a bold geometric sans foundation with a consistent stencil system, producing a compact, high-impact face that evokes manufactured markings and technical identification. The deliberate bridges and clipped joins prioritize a constructed, utilitarian aesthetic and a strong, repeatable texture across letters and numerals.

The repeated internal bridges are visually prominent at display sizes and become a strong pattern in longer lines, so spacing and line breaks play a noticeable role in the perceived texture. Diagonal letters introduce sharper cuts that contrast with the rounded corners elsewhere, reinforcing a fabricated, cut-from-sheet-material impression.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸