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Free for Commercial Use

Distressed Rymi 8 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Longreach' by Hanoded, 'Avenir Next Paneuropean' by Linotype, 'Morandi' by Monotype, and 'Klein' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, album art, event flyers, packaging, grungy, raw, punchy, playful, rowdy, textured impact, handmade feel, rough printing, retro grit, ragged, blotchy, inked, uneven, chunky.


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A heavy, all-caps-forward display style with compact proportions and chunky, simplified letterforms. Strokes are thick and mostly monoline in feel, but the contours are intentionally irregular: edges look torn or brush-chipped, with small bite marks, notches, and occasional interior nicks that suggest rough inking or degraded printing. Counters are generally rounded and tight, terminals are blunt, and curves often swell unevenly, producing a lively, hand-formed rhythm across words. The lowercase echoes the uppercase structure with similarly rugged outlines, and numerals maintain the same dense, distressed silhouette.

Best suited to short, high-impact settings such as posters, headlines, event flyers, and promotional graphics where the rugged texture adds character. It can also work well on packaging, labels, or album/cover art when a rough, handmade imprint is desired; for long-form text, it’s better used sparingly as an accent.

The overall tone is gritty and energetic, balancing a mischievous, handmade charm with a rough, weathered attitude. It reads as bold and attention-grabbing, with a tactile, imperfect texture that feels informal and a bit rebellious.

The design appears intended to deliver a bold display voice with a deliberately worn, ink-chipped finish, preserving clear letter shapes while embedding a strong tactile texture. It aims to feel handmade and imperfect, prioritizing personality and impact over pristine uniformity.

In the sample text, the distressed detailing remains consistent across sizes, creating a speckled edge texture that becomes part of the color and texture of the line. Spacing appears straightforward and the shapes stay legible, though the ragged perimeter adds visual noise that can build quickly in long passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸