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Free for Commercial Use

Distressed Segi 5 is a very bold, narrow, high contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Goodrich' by Hendra Pratama, 'Gotham' by Hoefler & Co., 'Fact' by ParaType, 'Belle Sans' by Park Street Studio, and 'Akwe Pro' by ROHH (names referenced only for comparison).

Keywords: posters, headlines, packaging, badges, merchandise, grunge, industrial, retro, handmade, raw, impact, texture, analog print, grit, headline branding, roughened, weathered, inked, blocky, condensed.


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A heavy, condensed display face with blunt, mostly monoline strokes and compact proportions. The letterforms are built from simple, blocky structures with slightly irregular outlines and scattered interior voids that read like worn ink or eroded printing. Corners are generally squared-off with occasional soft rounding, and curves (C, G, O) stay tight and upright rather than wide. The texture is consistent across capitals, lowercase, and numerals, creating a bold silhouette with intentional imperfections and a slightly uneven rhythm.

Works best for short text where texture and impact matter: posters, cover art, event promos, product packaging, labels, badges, and merchandise graphics. It can also suit branding for bars, streetwear, craft goods, or industrial-themed projects where a rugged printed look is desirable. For longer passages, its heavy weight and distressing are more effective as accents or section headers than as body copy.

The overall tone feels rugged and utilitarian, like stamped packaging, screen-printed posters, or aged signage. Its distressed texture adds a rebellious, DIY energy while still keeping the forms assertive and readable at headline sizes. The condensed build gives it urgency and punch, suited to loud, attention-seeking messaging.

The design appears intended to deliver maximum visual punch through dense, condensed shapes while introducing a controlled distressed layer that mimics wear, rough printing, or ink breakup. It prioritizes bold recognition and a tactile, analog feel over pristine geometry, aiming to look crafted and hard-used rather than clinical.

Lowercase shapes lean toward simplified, sturdy constructions (single-storey forms where applicable) with short ascenders and descenders and a straightforward, non-calligraphic feel. Numerals are similarly chunky and compact, with the same worn counters and edge breakup, helping mixed alphanumeric settings maintain a unified, gritty color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸