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Free for Commercial Use

Distressed Jesi 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Arial', 'Arial Nova', and 'Helvetica Now' by Monotype and 'Lyu Lin' by Stefan Stoychev (names referenced only for comparison).

Keywords: posters, headlines, packaging, album art, event flyers, gritty, handmade, rugged, playful, nostalgic, add texture, evoke print, create grit, handmade feel, rough edges, blobby, inked, stamped, chunky.


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A heavy, chunky display face with irregular, torn-looking contours and subtly wobbly verticals that suggest ink spread or rough printing. Strokes are broadly even in thickness, with softened corners and occasional nicks, bites, and uneven terminals that create a worn silhouette. Counters are compact and sometimes slightly asymmetrical, while proportions vary mildly from glyph to glyph, giving the set an intentionally imperfect, hand-pressed rhythm. The overall spacing reads sturdy and compact, with simplified forms that stay legible despite the distressed perimeter.

Well-suited to display settings such as posters, headlines, merch graphics, packaging, and attention-grabbing social or event artwork where a distressed, analog texture is desirable. It can also work for short pull quotes or title treatments, especially when paired with a cleaner companion for body text.

The font conveys a gritty, tactile atmosphere—like letterforms pulled from a well-used stamp set, screen print, or aged poster. Its roughness feels energetic and approachable rather than aggressive, lending a casual, crafty tone with a hint of vintage grit.

The design appears intended to emulate imperfect, tactile lettering—capturing the look of worn ink, rough paper, or hand-cut/stamped shapes—while preserving bold readability for impactful display typography.

In longer lines the textured edges remain prominent, creating a lively surface that can dominate the page; it performs best when the distressing is allowed to read as a deliberate texture rather than fine detail. Rounded shapes (O, C, S) keep a soft, blobby massing, while diagonals and joins show extra wobble that reinforces the handmade character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸