Sans Superellipse Gybop 2 is a bold, normal width, monoline, upright, normal x-height font.
Keywords: display, headlines, branding, ui labels, posters, tech, sci‑fi, industrial, futuristic, gaming, digital feel, strong silhouettes, interface clarity, geometric uniformity, rounded corners, squared curves, extended caps, geometric, compact counters.
A heavy, geometric sans with squared‑round construction: bowls and counters are based on rounded rectangles, and most terminals end in softly radiused corners rather than sharp cuts. Strokes are consistently thick with minimal contrast, producing dense, compact interior spaces in letters like B, 8, and e. Proportions lean wide in the caps and many lowercase forms, with flat horizontals, vertical emphasis, and simplified joins; diagonals (V, W, X) are sturdy and straight, while curves resolve into superellipse-like corners. The overall rhythm is blocky and uniform, prioritizing clear silhouette shapes over delicate detailing.
Best suited for display settings such as headlines, logotypes, product/tech branding, UI labels, dashboards, and poster typography where its chunky, rounded-rect geometry reads as intentional and modern. It can work in short paragraphs for interface-style copy, but the tight counters and heavy color favor larger sizes and generous spacing for sustained reading.
The font conveys a contemporary, engineered tone—clean, assertive, and distinctly digital. Its rounded-square geometry suggests interfaces, hardware labeling, and futuristic display typography, with a confident, no-nonsense presence.
The design appears intended to deliver a bold, techno-geometric voice by combining monoline weight with superellipse-inspired curves and squared corners, creating strong silhouettes that remain consistent across uppercase, lowercase, and numerals.
Distinctive forms include a boxy, rounded O/0 family (with a slashed zero), an angular W with a sharp central notch, and a Q with a short diagonal tail. Lowercase shapes follow the same squared-round logic, keeping apertures and counters relatively tight, which strengthens impact at larger sizes but can feel dense in long text.