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Free for Commercial Use

Sans Superellipse Adrus 2 is a regular weight, wide, monoline, reverse italic, normal x-height font.

Keywords: headlines, branding, packaging, posters, ui display, techy, futuristic, industrial, sporty, geometric, modernity, motion, tech branding, geometric unity, display impact, rounded corners, squared curves, forward slant, tall caps, open counters.


Free for commercial use
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A geometric sans with a forward-leaning (reverse-italic) posture and a rounded-rectangle, superelliptical construction throughout. Strokes are consistently even, with corners softened into broad radii that create a “squared-round” silhouette rather than true circles. Uppercase forms are tall and slightly condensed in feel, while lowercase is compact and mechanical, with single-storey constructions and simplified terminals. Curves are built from straight segments and rounded corners, giving bowls and counters a boxy, engineered rhythm; diagonals and joins stay clean and crisp, and numerals follow the same rounded-rect geometry for a cohesive set.

Well-suited for headlines, logos, labels, and product branding where a futuristic, engineered aesthetic is desired. It can also work for UI or interface display text, dashboards, and tech-oriented marketing, especially where a sense of speed and modernity is helpful. For long-form reading, it will be most comfortable at larger sizes due to its assertive geometry and slanted rhythm.

The overall tone is modern and tech-forward, reading as aerodynamic and engineered rather than humanist. Its rounded corners soften the industrial geometry, producing a friendly sci‑fi or arcade-like flavor without becoming playful or casual. The slanted stance adds momentum, suggesting speed, motion, and contemporary digital interfaces.

The font appears designed to deliver a cohesive, rounded-rect geometric voice with a sense of motion, pairing strict construction with softened corners for a contemporary, tech-leaning identity.

The design leans on rectangular counters and chamfer-like transitions, which keeps textures tight and consistent in display settings. In paragraph samples, the distinctive boxy curves and slant create a strong voice that stands out most at larger sizes and in short-to-medium copy where character shapes can be appreciated.

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Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
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Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
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Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸