Sans Superellipse Ipfy 7 is a very bold, very wide, medium contrast, italic, normal x-height font visually similar to 'Acumin' by Adobe, 'ATC Duel' by Avondale Type Co., 'Akzidenz-Grotesk Next' by Berthold, 'Taz' by LucasFonts, 'Eurocine' by Monotype, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, sporty, assertive, energetic, modern, playful, impact, speed, attention, branding, legibility, oblique, rounded, blocky, compact, punchy.
A heavy, slanted sans with rounded-rectangle construction and broadly squared curves that keep counters open while maintaining a dense, solid color. Strokes are mostly uniform with clean, crisp terminals; curves transition into straighter segments in a way that feels engineered rather than calligraphic. Proportions are expanded and compact at once: wide letterforms with tight interior shaping, producing a strong horizontal rhythm. The lowercase shows single-storey forms (notably a and g), and the numerals follow the same chunky, rounded geometry for consistent texture in lines of text.
Best suited for large-scale display work where impact and momentum matter—headlines, posters, sports and team graphics, apparel, packaging, and punchy logo wordmarks. It can also work for short subheads or callouts, especially when a compact, energetic line texture is desired.
The overall tone is bold and forward-leaning, with a sporty, headline-driven attitude. Its rounded squareness adds a friendly, approachable edge to an otherwise forceful, high-impact style, making it feel energetic and contemporary rather than formal.
Designed to deliver maximum presence with a fast, forward motion, combining wide, blocky silhouettes with rounded-superellipse shaping to stay friendly and readable while remaining unmistakably bold.
The italic angle is pronounced enough to create motion, and the wide stance helps maintain legibility at display sizes. Apertures and counters stay relatively generous for such a heavy style, supporting short bursts of copy, slogans, and number-heavy compositions.