Print Gubah 2 is a regular weight, narrow, low contrast, upright, short x-height font.
Keywords: kids branding, packaging, posters, social graphics, craft labels, playful, friendly, casual, quirky, handmade, handwritten feel, approachability, casual readability, warmth, rounded, bouncy, monoline, open forms, soft terminals.
This typeface uses simple, hand-drawn, monoline strokes with gently rounded terminals and slight waviness that preserves a natural marker- or pen-made look. Letterforms are compact and somewhat tall, with small counters and modest apertures that keep the silhouette tidy while still feeling informal. Curves are smooth rather than geometric, and stems show subtle irregularities in angle and thickness, creating a lively rhythm. Overall spacing is moderately tight, with a light, airy texture in text despite the compact proportions.
It works well for short to medium-length copy where an informal, human touch is desired—children’s and family-oriented branding, craft and maker packaging, friendly posters, and casual social media graphics. It can also suit headers and callouts in educational materials, where clarity matters but a strict corporate tone is not needed.
The font conveys a warm, approachable tone with a lightly whimsical, homemade character. Its uneven stroke behavior and buoyant curves suggest casual notes, classroom materials, and friendly signage rather than formal publishing. The overall impression is cheerful and relaxed, with enough consistency to read smoothly while retaining personality.
The design appears intended to mimic neat, everyday handwriting while maintaining consistent, repeatable shapes suitable for setting text. It aims for legibility first, then adds charm through small irregularities, rounded terminals, and a gently bouncy rhythm.
Uppercase forms stay straightforward and legible, while lowercase adds more personality through simplified bowls and slightly quirky joins. Numerals match the same hand-drawn logic, with rounded shapes and gentle asymmetry that keeps them from feeling mechanical. The italic-like motion comes from natural stroke slanting and curvature rather than a true oblique construction.